Before the advent of digital photography, everyone captured their memories on film, and film needs to be processed. In the 1960’s, small drive-thru stands began popping up on roadsides and parking lots across the United States to provide photofinishing service in a fast and convenient manner. Here, you could drop off film for development and pick up your glossy photos the very next day. What started as 1 store in 1965, bloomed to almost four thousand of these golden roofs across America by 1980. Shortly after though, it would all fall apart in spectacular fashion. Today we embark on a trip back in time to investigate what exactly happened to Fotomat.

00:00 Prologue
00:48 The Rise of Fotomat
07:11 The Fall of Fotomat
13:49 Fotomat Video Rental
15:20 Fotomat Closures
18:26 The Fotomat Fugitive
23:18 Conclusion

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–ATTRIBUTIONS–

Images licensed under Creative Commons: By Attribution 3.0 License (http://creativecommons.org/licenses/by/3.0/):
– Paisley Pattern – bote jeghe (https://www.brusheezy.com/patterns/38871-paisley-pattern-bote-jeghe-num-2)
– Complete Tree Brush Pack
(https://www.brusheezy.com/brushes/1312-complete-tree-brush-pack)
– Distressed Ink Texture
(https://www.brusheezy.com/textures/54009-distressed-ink-texture-overlays)
– Vintage Repeat pattern
(https://www.brusheezy.com/patterns/1995-vintage-repeat-pattern)
– Flag of Castile and Leon by Rastrojo
(https://upload.wikimedia.org/wikipedia/commons/1/13/Flag_of_Castile_and_Le%C3%B3n.svg)
– Flag of France by Sodacan
(https://en.wikipedia.org/wiki/Kingdom_of_France#/media/File:Royal_Standard_of_the_King_of_France.svg)
– Brick texture by seier+seier
(https://www.flickr.com/photos/seier/4340689010)
– Sugar Cubes by david pacey
(https://commons.wikimedia.org/wiki/File:Sugar_Cubes_(7164573186).jpg)
– Smiling People by Richard foster
(https://www.flickr.com/photos/93963757@N05/8551937456)
– Oil by See-ming Lee
(https://www.flickr.com/photos/seeminglee/8591504470)
– Manila Paper by NathanBeach
(https://en.wikipedia.org/wiki/Manila_paper#/media/File:ManilaPaper.jpg)
– Elephant by TheBusyBrain
(https://www.flickr.com/photos/thebusybrain/3284022262)
– David Hoffman by BobParis
(https://en.wikipedia.org/wiki/David_Hoffmann_(bodybuilder)#/media/File:David_Hoffmann_(Bodybuilder).jpg)
– Field by DenisBin
(https://www.flickr.com/photos/82134796@N03/13683296255)
– Musketball
(https://commons.wikimedia.org/wiki/File:Musketkogel_-_Aanloop_Molengat_-_60023894_-_RCE.jpg)

World Map
NASA Goddard Space Flight Center Image by Reto Stöckli (land surface, shallow water, clouds). Enhancements by Robert Simmon (ocean color, compositing, 3D globes, animation). Data and technical support: MODIS Land Group; MODIS Science Data Support Team; MODIS Atmosphere Group; MODIS Ocean Group Additional data: USGS EROS Data Center (topography); USGS Terrestrial Remote Sensing Flagstaff Field Center (Antarctica); Defense Meteorological Satellite Program (city lights).

All music by Kevin Macleod (incompetech.com) licensed under Creative Commons: By Attribution 3.0 License (http://creativecommons.org/licenses/by/3.0/):
Americana
Covert Affair
Deuces
Samba Isobel
Minima
Crossing The Chasm
Expeditionary
Prelude and Action
Kool Kats
Fast Talkin
Infados
Exotic Battle
Investigations
Constance – The Descent
Dances and Dames
Digya
And Awaken – Stings
I Knew A Guy

The following tracks by Audionautix is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/)
Artist: http://audionautix.com:
Dark Mystery
Temptation March

Additional music acquired royalty free via ArtList

All sound effects licensed under Creative Commons: By Attribution 3.0 License (http://creativecommons.org/licenses/by/3.0/):
– Airy Whoosh by sonictechtonic
(https://freesound.org/people/sonictechtonic/sounds/243567/)
– Synthesized Explosion 08 by RSilveira_88
(https://freesound.org/people/RSilveira_88/sounds/216271/)
– Door-ThudWhamWhack by Hitrison
(https://freesound.org/people/Hitrison/sounds/198868/)
– Frogs Pond Dunes by Klankbeeld
(https://freesound.org/people/klankbeeld/sounds/395539/)
– applauses theatre by bulbastre
(https://freesound.org/people/bulbastre/sounds/132154/)
– thuds by kgatto
(https://freesound.org/people/kgatto/sounds/240281/)
– footsteps muddy by inspectorj
(https://freesound.org/people/InspectorJ/sounds/329603/)
– tearing newspaper by inspectorj
(https://freesound.org/people/InspectorJ/sounds/415765/)
– Waves by juskiddink
(https://freesound.org/people/juskiddink/sounds/60507/)
– Big Splash by DarcyDunes
(https://freesound.org/people/darcydunes/sounds/273834/)
– Horse Galloping by alanmcki
(https://freesound.org/people/alanmcki/sounds/403026/)
– Pencil Writing Close by InspectorJ
(https://freesound.org/people/InspectorJ/sounds/398271/)
– Medium Wind by kangaroovindaloo
(https://freesound.org/people/kangaroovindaloo/sounds/205966/)

This panel examines how actors associated with publishing have reimagined books as material objects in contemporary Latin America. While often situated on the periphery of global publishing markets, the region is a center of innovation where a range of projects—independent, state-funded, radically anti-capitalist, or a mixture of these—have proposed alternative ways of making, reading, and circulating books. Our panel features three scholars who, through a series of case studies from Mexico, Argentina, and Bolivia, consider these projects and how they reflect in the materiality of books and digital platforms.

The Materiality of Print Books as a Site of Feminist Translation. Magalí Rabasa

What relations and networks become visible through close examination of the materiality of print books? How does attention to the marginal aspects of a book object generate different understandings of the actors engaged in the various kinds of labor necessary for its production? In this presentation, I explore these questions through the analysis of the materiality of a single book produced by a network of small alternative presses between Mexico and Argentina. Extending my earlier research on the production and circulation of organic books in autonomous publishing networks, here I turn my attention to the ways that feminist practices and concepts appear not just in the words on the pages of the book, but also in the book object itself. Specifically, I consider in what ways the materiality of the book can be understood as a site of multiple modes of translation– political, cultural, linguistic, economic, etc. – enacted as part of a broader feminist ethic and praxis of care.

Selling Crime by Subscription: W. M. Jackson and the Club de Novelas Laberinto. Nora Benedict

Walter Montgomery Jackson (1863–1923) is most known for his involvement in producing the tenth edition of the Encyclopedia Britannica as well as developing its famed eleventh edition. Some might also associate him with founding the Grolier Society through which he published the well-known children’s encyclopedia, The Book of Knowledge. However, few might link his name to a Latin American publishing empire. In this paper I detail Jackson’s involvement in the book industry in Latin America by focusing on one specific initiative: his adaptation of Harry Scherman’s Book of the Month Club. More specifically, I examine the physical features of books from his Club de Novelas Laberinto as a way to show how he revolutionized business models in the Latin American book industry through the introduction of subscription publishing in countries including Argentina, Mexico, and Brazil.

Experimental and independent publishing in Mexico. Permanente obra negra as an example of a distributed book. Élika Ortega

Vivian Abenshushan’s Permanente obra negra is a unique piece of experimental literature and publishing launched in 2019 simultaneously by the Mexican independent publisher Sexto Piso and Medialabmx. Permanente obra negra (PON) is a complex gathering of book objects: a trade edition book, a die-cut book, a card catalog, and a web application designed and developed by Dora Bartilotti and Leonardo Aranda. Characterized as an “ungovernable book,” in this presentation I examine how the volumes’ paratexts reveal the web of objects woven by Abenshushan as a whole and cohesive project, from its conceptualization and design through the various production processes. Upon that basis, I further explore the publishing conditions that made possible one of the most exciting books to come out in Mexico in the recent past.

Chair
Paloma Celis Carbajal
Curator for Latin American, Iberian, and Latino Studies Collections
New York Public Library

Organizers
Corinna Zeltsman
Assistant Professor of History
Princeton University
&
Alex Hidalgo
Associate Professor of History
Texas Christian University

K a l i U c h i s ~ Top Latin Songs Compilation 2022, Best Latino Mix 2022, Best Latino Pop

[00:00:00] – 01. A̲̲̲fte̲̲r T̲he̲̲ S̲to̲̲rm
[00:03:26] – 02. T̲e̲̲le̲̲pa̲̲tía̲̲
[00:06:15] – 03. T̲yra̲̲nt F̲t. J̲o̲̲rja̲̲ S̲mi̲̲th
[00:09:35] – 04. F̲u̲̲e̲̲ M̲e̲̲jo̲̲r
[00:13:22] – 05. S̲a̲̲d G̲i̲̲rlz L̲u̲̲v M̲o̲̲ne̲̲y
[00:17:04] – 06. N̲o̲̲ H̲a̲̲y L̲e̲̲y
[00:19:37] – 07. L̲a̲̲ L̲u̲̲z
[00:22:32] – 08. M̲e̲̲lti̲̲ng
[00:26:00] – 09. B̲le̲̲ssi̲̲ng M̲e̲̲
[00:28:34] – 10. B̲le̲̲ssi̲̲ng M̲e̲̲

#KaliUchis #latinmusic #latinopop #latinmix #latinjazz

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